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Paul Esswood - Hymn to the sun fron the Aknathen.Ensemble, New York City Opera Orchestra & Chorus, Stuttgart State Opera orchestra e chorus! Philip Glass.

Tags: Paul Esswood Hynm to the sun Aknathen claude monet glass classical countertenor new york city opera stuttgart chorus
(This video has been replaced with a production with a better audio track that does greater justice to Paul Esswood's voice. See Paul Esswood, Bach, Kommt, ihr angefochtnen Sunder BWV30. ) J.S. Bach, Cantata (excerpt). The audio track was taken from an old, Dolby-encoded reel-tape but without the benefit of Dolby noise-reduction play-back hardware or further information. (For further information about high-male voices, check http://www.malesopranos.com )

Tags: Paul Esswood Bach Cantata countertenor Baroque
This video has been replaced with a production with new audio track that does greater justice to Paul Esswood's voice. SEE Paul Esswood,Bach: Ein ungerfarbt Gemute BWV24. // 2nd excerpt from old reel tape. Johann Sebastian Bach. Paul Esswood countertenor. (For further information about high-male voices, check http://www.malesopranos.com )

Tags: Paul Esswood Bach Cantata countertenor Baroque
Johann Sebastian Bach: Wo zwei und drei versammlet sind, From cantata Am Abend aber desselbigen Sabbats BWV42, On the Sunday Quasimodogeniti. Paul Esswood, countertenor. Wo zwei und drei versammlet sind In Jesu teurem Namen, Da stellt sich Jesus mitten ein Und sprict darzu das Amen. Denn was aus Lieb un Not geschict, Das bricht des Hochsten Ordnung nicht. Where two or three have gathered them In Jesus name together, There standeth Jesus in their midst And to them sayeth Amen. Who succors need and aids distress Will not the law of God transgress!

Tags: Paul Esswood Bach Cantata Kantatenwerk countertenor contretenor Baroque
Oh Lord, whose mercies numberless (David) Saul Handel. Paintings Caspar David Friedrich

Tags: Paul esswood Barroco saul oratorio classical countertenor oh lord whose mercies numberless david
Johann Sebastian Bach: Ein ungerfarbt Gemute, from Cantata BWV 24, at the 4th Sunday after Trinity. Paul Esswood, countertenor, 1973. Ein ungerfarbt Gemute Von deutscher Treu und Gute Macht uns vor Gott und Menschen schon. Der Christen Tun und Handel, Ihr ganzer Lebenswandel Soll auf dergleichen Fusse stehn. A spirit pure and holy Intent on virtue soley Is dear to God and loved by Man. A Christians whole behavior Must imitate his Saviour And follow Him as best he can. (For further information about male sopranos and altos, see http://www.malesopranos.com )

Tags: Paul Esswood Bach Cantata Kantatenwerk countertenor contretenor Baroque
Johann Sebastian Bach: Kommt, ihr angefochtnen Sunder, from Cantata Freu dich, erloste Schar BWV 30, at the Feast of John the Baptist. Paul Esswood, countertenor. Kommt, ihr angefochtnen Sunder, Eilt und lauft ihr Adamskinder, Eur Heiland rut un schreit! Kommt, ihr verirrten Schafe, Stehet auf vom Sundenschlafe, Denn itzt ist die Gnadenzeit! Come ye sinners sorely tempted, Haste from guilt to be exempted, Calls your Saviour, come apace. Adams children, wayward straying, Wake from sin, His call obeying; Now is come the Day of Grace. (For further information about male sopranos and altos, see http://www.malesopranos.com )

Tags: Paul Esswood Bach Cantata Kantatenwerk countertenor contretenor Baroque
TV Culture report about the concert in Moscow Tchwikovsky Conservatory on June 25, 2008

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Pete talk about the school past and present

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Oh Lord, Whose Mercies Numberless, Paul Esswood, countertenor. (For further information about high-male voices, check http://www.malesopranos.com )

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G.F. Handel: Oratorio "Saul", David's air "Oh Lord, Whose Mercies Numberless." Paul Esswood, countertenor. (For further information about high-male voices, check http://www.malesopranos.com )

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For better sound and image go to: http://www.youtube.com/watch?v=Ee8SqmJtr38&fmt=18 Placidissime catene, duetto da camera (1699) Carolyn Watkinson - Mezzosoprano Paul Esswood - Countertenor Wouter Möller - Cello Alan Curtis - Clave 1982 Palcidissime catene, rallentarvi è crudeltà. Ha perduto ogni suo bene chi ritorna in liberta. Vivo in doglie e moro in pene, se i miei lacci Amor disfà. Affani, pene e guai, voi non farete mai, ch'io mi disciolga, no! Amor, fa quanto sai, dalla prigion ch'amai, mai, mai non fuggirò. Painting: Luca Giordano (1634 - 1705), Venere dormiente. Napoli, Museo di Capodimonte.

Tags: Barroco Baroque Agostino Steffani Carolyn Watkinson Paul Esswood Alan Curtis
Conducted by Paul Esswood, Directed by Tom Hawkes at the Varazdin Festival, Croatia, Designer Dapne Stevens-Pascucci. Pompeo Magno was edited by Proffesor Denis Stevens

Tags: Cavalli Paul Esswood Tom Hawkes Denis Stevens Daphne Stevens-Pascucci Buddug Verona James
Nikolaus Harnoncourt(conductor), Jean-Pierre Ponnelle(director), Rachel Yakar(Poppea), Alexander Oliver(Arnalta), Paul Esswood(Ottone) Composed more than four centuries ago, Monteverdi's last opera was brilliantly staged in Zurich Opernhaus.

Tags: L'incoronazione di Poppea
Nikolaus Harnoncourt(conductor), Jean-Pierre Ponnelle(director), Rachel Yakar(Poppea), Alexander Oliver(Arnalta), Paul Esswood(Ottone) Composed more than four centuries ago, Monteverdi's last opera was brilliantly staged in Zurich Opernhaus.

Tags: L'incoronazione di Poppea
Nikolaus Harnoncourt(conductor), Jean-Pierre Ponnelle(director), Rachel Yakar(Poppea), Alexander Oliver(Arnalta), Paul Esswood(Ottone) Composed more than four centuries ago, Monteverdi's last opera was brilliantly staged in Zurich Opernhaus.

Tags: L'incoronazione di Poppea
Documentary about Andreas Scholl. Andreas Scholl (Musical education): He was seventeen when his gifts were identified by the Chorbuben's voice coach from the Darmstadt Music Academy and he also sang for the tenor/countertenor Herbert Klein who advised him that there were only two places he should study: either in London or at the early music conservatoire in Basel, the Schola Cantorum Basiliensis. Since an uncle had introduced him to the voices of Paul Esswood and James Bowman, the leading European countertenors of the day, he took Bowman as his role model. He sent a tape to René Jacobs asking him to say whether he had talent and Jacobs invited him to come and see him at the Schola Cantorum Basiliensis. At this point, he had no first degree and could not even read music, having always learned by heart as a chorister, while this conservatory only offered post-graduate courses. He sang a Schubert song for an admissions board which included Jacobs and was offered a place on the strength of his exceptional voice. At the Schola, his teacher was Richard Levitt and from his second year he studied with Jacobs. Violinist Chiara Banchini and soprano Emma Kirkby were major influences as he began to specialise in the music of the Baroque and he also studied with soprano Evelyn Tubb and lutenist Anthony Rooley. As well as his Diploma of Ancient Music, for which his external examiner was James Bowman, he collected prizes from the Council of Europe and the Fondation Claude Nicolas Ledoux, and awards from Switzerland's Association Migros and Ernst Göhner Foundation. Andreas Scholl now teaches interpretation in the Schola Cantorum Basiliensis, succeeding his own teacher, Richard Levitt, and is in much demand for masterclasses. George Frederic Handel - Giulio Cesare in Egitto (HWV 17): Act II. In Cleopatra's palace, she uses her charms to seduce Cesare. She sings praises of Cupid's darts and Cesare is delighted. In Tolomeo's palace, Achille pleads with Cornelia to accept him, but she rejects him. When he leaves, Tolomeo also tries to win her, but is also rejected. Sesto enters the garden of the palace, wishing to fight Tolomeo for killing his father. In Cleopatra's palace, Cesare hears the sounds of enemies approaching. Cleopatra reveals her identity and asks Cesare to flee, but he decides to fight. In Tolomeo's palace, the fight between Tolomeo and Sesto is interrupted by Achille's announcement that Cesare (in the attempt to run from soldiers) has jumped from the palace window and died. Achille asks again for Cornelia's hand in marriage but is turned down by Tolomeo. Sesto feels devastated and tries to kill himself but is prevented from doing so by his mother; he repeats his vow to kill Tolomeo.

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Perfect opportunity to compare interpretations by outstanding countertenors Andreas Scholl and Paul Esswood (an earlier video upload) of David's air from Handel's oratorio "Saul", demonstrating that the Baroque singer was "co-composer", e.g., in the repeat section. "Oh Lord, whose mercies numberless, o'er all they works prevail: though daily Man thy laws transgress, thy patience cannot fail. / If yet his sin be not too great, the busy fiend control; yet longer for repetance wait, and heal his wounded soul." (For further information about high-male voices, check http://www.malesopranos.com )

Tags: Andreas Scholl countertenor Handel Oh Lord castrato Baroque Saul
fragment koncertu "Missa tridentina" w ramach festiwalu Kolory Polski - Polska Orkiestra XVIII Wieku / Chór Kameralny „Cantores Minores Wratislavienses", kantorzy opactwa Benedyktynów w Tyńcu, Paul Esswood dyrygent - 2.08.2008 - Łowicz

Tags: Kolory Polski
"In your face!" sez Love to Virtue and Fortune. The end of act two of "L'Incoronazione di Poppea" by Claudio Monteverdi. Nikolaus Harnoncourt conducting. Paul Esswood as Otho, Rachel Yakar as Poppea, and Alexander Oliver as Arnalta. Klaus Brettschneider acts the role of Cupid while Wilhelm Wiedl sings it.

Tags: poppea harnoncourt
George Frideric Handel - Giulio Cesare (HWV 17). 1. Aria: Presti omai l'Egizia terra. Concentus Musicus Wien. Paul Esswood (Countertenor). Dir. Nikolaus Harnoncourt.

Tags: George Frideric Handel Giulio Cesare HWV 17 Concentus Musicus Wien Nikolaus Harnoncourt
Handel's Giulio Cesare 1. Ritorna omai del nostro core (Coro, Cleopatra, Cesare) Lucia Popp, Soprano (Cleopatra) Paul Esswood, Countertenor (Cesare) Nikolaus Harnoncourt; Concentus Musicus Wien; Arnold Schoenberg Chor

Tags: handel opera
fragment koncertu "Missa tridentina" w ramach festiwalu Kolory Polski - Polska Orkiestra XVIII Wieku / Chór Kameralny „Cantores Minores Wratislavienses", kantorzy opactwa Benedyktynów w Tyńcu, Paul Esswood dyrygent - 2.08.2008 - Łowicz

Tags: Kolory Polski
George Frideric Handel - Giulio Cesare (HWV 17). 1. Aria: Va tacito e nascosto. Concentus Musicus Wien. Paul Esswood (Countertenor). Nikolaus Harnoncourt.

Tags: George Frideric Handel Giulio Cesare HWV 17 Concentus Musicus Wien Nikolaus Harnoncourt
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