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Not made by me,found it online,available for download on website Disney Parody explanation of Copyright Law and Fair Use Synopsis: Professor Eric Faden of Bucknell University provides this humorous, yet informative, review of copyright principles delivered through the words of the very folks we can thank for nearly endless copyright terms. ***Description taken from website*** Video Found at http://cyberlaw.stanford.edu/documentary-film-program/film/a-fair-y-use-tale

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Viacom is a big, fat copyright bully. To read more about this ridiculous situation with TheKnightShift vs. Viacom, see my blog entry here: http://nalts.wordpress.com/2007/09/01/viacom-is-a-big-mean-bully/ Or read it first hand from Christopher Knight: http://theknightshift.blogspot.com/2007/08/viacom-hits-me-with-copyright.html Note to media: You are welcome to use this in broadcast. Just please mention "Nalts" or WillVideoforfood, and feel free to say something like "he's the most prolific viral video creators in the world that is one of the "most subscribed" comedians on YouTube. Kidding.

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Learn about the recently filed copyright case: Robert Tur v. Youtube! A mysterious Washington D.C. copyright lawyer explains the key court decisions and the relevant federal law. And he predicts the outcome of the case!

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This video was written and realized by Monica Mazzitelli, member of the Wu Ming Foundation's reading group iQuindici [TheFifteen], whose mission is to read as-yet-unpublished novels and short-stories in order to give feedback to their authors, as well as to promote the adoption of open licenses (CC, GFDL, Copyleft etc.) in the Italian publishing industry. English, Italian subtitles. www.iquindici.org www.wumingfoundation.com

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YouTube recently deleted about 30,000 videos and a bunch of users because of alleged copyright violations. What exactly can we get away with, and what will get us into trouble? I debate the issues with myself. P.S. - A few more points: 1 - I admit that I'm a hypocrite and have bent the law a bit myself. I believe what I've done is "fair use," but a judge might disagree. 2 - The issue is far more complicated than could be covered in a 4.5 minute video, and I'm not a lawyer (I only play one on YouTube). 3 - When I say it's "crystal clear," that's a joke. It's murky as all hell. But I think it can be cleared up.

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James Boyle speaks about copyright laws in todays digital world

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Usos Reales de la Web 2.0; La nueva ley del Copyright europeo que nadie quiere; Niño Japonés experto en la Wii (Video); Ron Jeremy reseñará gadgets (Video); PS3 noticias de Londres y el mundo;

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THE PURPOSE OF COPYRIGHT LAW This is the first in a series of videos that I will be making over the next few weeks discussing copyright law. What is the purpose of copyright law? We must turn to Article 1 Section 8 of the U.S. Constitution to find out: http://www.law.cornell.edu/constitution/constitution.articlei.html#section8 "The Congress shall have power . . .To promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries;" Note that when the Constitution was written, the word "science" was interpreted much more broadly than it is today. In the 1700's, "science" meant generalized knowledge and learning. Thus, the purpose of copyright law as spelled out by the Constitution is to promote the progress of knowledge and learning—not to enrich the creators of new works. Copyright law attempts to achieve these ends by allowing Creators to profit by granting them a monopoly over their works. Copyright law gives authors an incentive to produce more works by granting them exclusive rights in what they produce. However, this protection of the interests of the author is only the MEANS by which the ultimate ENDS of advancing knowledge is promoted. THE ULTIMATE GOAL OF COPYRIGHT LAW IS NOT THE PROTECTION OF THE CREATOR'S INTEREST IN HER WORKS! See Fogerty v. Fantasy, Inc. http://www.law.cornell.edu/supct/html/92-1750.ZO.html In Fogerty v. Fantasy, the Supreme Court approvingly cited Twentieth Century Music Corp. v. Aiken: "The limited scope of the copyright holder's statutory monopoly . . . reflects a balance of competing claims upon the public interest: Creative work is to be encouraged and rewarded, but private motivation must ultimately serve the cause of promoting broad public availability of literature, music, and the other arts. The immediate effect of our copyright law is to secure a fair return for an `author's' creative labor. But the ultimate aim is, by this incentive, to stimulate artistic creativity for the general public good." The Court also cited Feist Publications, Inc. v. Rural Telephone Service: "The primary objective of copyright is not to reward the labor of authors, but `[t]o promote the Progress of Science and useful Arts.' To this end, copyright assures authors the right to their original expression, but encourages others to build freely upon the ideas and information conveyed by a work." The first Copyright Act (of 1790) in the United States granted only the exclusive right to print, publish, and vend a copyrighted work, and that right was granted for a maximum of 28 years. See: http://www.earlyamerica.com/earlyamerica/firsts/copyright/ Under the current copyright law, copyright owners also have these rights, plus the right to control the public performances of their works and to control the making of adaptations of their work. And the term of that control has been extended from a maximum of 28 years to 70 years after the death of the author. Why has copyright law been extended far expanded what was imagined by our Founding Fathers? It was expanded at the behest of major copyright-owning industries to protect their cash cows. The publishing industry argued that the greater the monopoly and the protection granted to the authors of copyrighted works, the more incentive they will have to create new works. But this overlooks two factors: 1) Almost all creators build upon the work of others. If copyright law builds too high an obstacle to the use of previous works it will stifle creativity and prevent the creation of new works. 2) The claim that the greater the monopoly granted to the author, the more they will create is not necessarily true. Current copyright law gives the creator a monopoly on his work until 70 years after his death. Does anyone believe that Stephen King would have written fewer books if copyright law only granted creators a monopoly for 28 years? MUST READING: The Purpose of Copyright by Lydia Pallas Loren, Asssociate Professor of Law at Lewis & Clark College http://www.open-spaces.com/article-v2n1-loren.php Professor Loren writes: "In fulfilling the constitutionally mandated goal of copyright law, Congress has had to ask, as one early legislative report did, two questions: "First, how much will the legislation stimulate the producer and so benefit the public; and second, how much will the monopoly granted be detrimental to the public?" As Judge Walker of the Second Circuit recently summarized: "The copyright law seeks to establish a delicate equilibrium. On the one hand, it affords protection to authors as an incentive to create, and, on the other, it must appropriately limit the extent of that protection so as to avoid the effects of monopolistic stagnation." The founding fathers wanted copyright to be a mechanism by which our democracy would grow and flourish - a way in which our storehouse of knowledge is stocked." Loren notes that copyright law has been perverted into a tool for censorship. She cited the case of David Stowe, a professor at Michigan State, who wanted to show how sexism and racism pervaded the big band culture of the 1940s. He wanted to show this by using various cartoons in Downbeat magazine. But the owners of Downbeat refused to grant him permission to use these cartoons at any price because it would make them look bad. Stowe did not want to bear the expense of litigation or run the risk of being found guilty of infringing, so he did not use the cartoons in his study. His academic research was not as rich or complete as it would have been had copyright law not been turned into a tool for censorship. Censorship can occur even under the doctrine of Fair Use, as the Stowe case demonstrates because some may self-censor rather than run the risk of having to defend themselves in potentially costly legislation. But Professor Loren notes that the situation was worsened under the Digital Millenium Copyright Act. She wrote: "The Digital Millennium Copyright Act. . . seriously impedes the access to copyrighted works and the non-copyrighted elements of those works, thereby threatening the ultimate aim of copyright, the promotion of the progress of knowledge and learning. "

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Foundation for the Children of Iran proudly presents it's 2008 honoree: Firouz Naderi, Ph.D. NASA Scientist, Director of the Mars Exploration Program, visionary leader, outstanding human being, and pride of Iranian-American community.

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The Canadian government is about to introduce new copyright legislation that will likely mirror the DMCA with strong anti-circumvention legislation - far beyond what is needed to comply with the WIPO Internet treaties - and address none of the issues that concern millions of Canadians. The Conservatives promise to eliminate the private copying levy will likely be abandoned. There will be no flexible fair dealing. No parody exception. No time shifting exception. No device shifting exception. No expanded backup provision. Nothing. This video is about what you do about it.

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Prof Weasel struggles to understand the problems with the traditional journal publication system (he'd be better off going open access but he'd never understand it). All while the fat Mr G.Ratt publishers makes the big cheese...

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OK folks! I may have asked you before, but with proposed changes to the Canadian Copyright Act, we REALLY need you to show your protest by uploading a copyright criminal photo! Here's some stuff to love about the new bill, C-61:: -$500 per downloaded song -No Fair Use rights for remix culture -$20,000 for uploading content (youtube anyone?) Show your protest by uploading a copyright criminal photo! Details for printing the template and how to upload are here: http://www.opensourcecinema.org/node/2226

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Music video for the 2004 track "Bulo".

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IMPORTANT!!! DOWNLOAD AND SAVE MY VIDEOS ! My channel has been targeted to be deleted from youtube. It could happen any day now. Viacom is not the only problem here. Youtube could have dismissed the claim, but they did not. They just accommodate them to no end here on youtube and they never lift a finger to even check to see if the claim is legitimate. Youtube doesn't give a damn about the users here. There was nothing in the video but a couple of images and me talking. Nothing from any TV show, any movie, not even a second of a song. Nothing. Yet viacom went after that video. You can see the original video on my myspace page. I just uploaded it there for you to see for yourself. I didn't think they would do something this blatant, but they never cease to amaze me in their public relations debacle. I don't think they can handle this any worse. I will never buy another product that Viacom ever produces again after this latest action. Here is a link to the video that was removed by youtube: http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=396755906 It is the top video. KEEP A CLOSE EYE ON THE HONORS OR LACK OF HONORS FOR THIS VIDEO. I WILL BE CURIOUS TO SEE IF THEY ALL GET REMOVED TO KEEP THIS VIDEO FROM SEEING THE LIGHT OF DAY. THEY KEPT THE VIACOM VS YOU VIDEO OFF THE FRONT PAGE FOR ALL BUT THE LAST 3 HOURS OF THAT VIDEOS FIRST 48 HOURS ON YOUTUBE. Youtube is just as much to blame if not more for this happening. Viacom is not the only problem. This is no longer you tube. Those days are long gone. I thought google and youtube would have a little more spine then this. They just sold us out and bow down to anything Viacom Says.

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It is standard practice around the world to compensate human beings for the use in advertising of their intellectual property, artistry, and images in advertising. Nature and animals, however, are not paid when they appear in advertisements. This practice reveals our difficulty in understanding a basic principle of nature: we must give back what we take in order to sustain and preserve the world in which we live. The Animal Copyright Foundation enables companies to contribute 1% of their media buy when using animals in an advertising campaign. In doing this, these companies are granted the right to display the Animal Copyright mark on the ads that constitute that campaign. The Animal Copyright will provide an immediately recognizable symbol for responsible companies to communicate their awareness and commitment to preserving the world's natural habitats and species. The Animal Copyright initiative is a long overdue payment to the natural world for services rendered to corporations and advertisers. Canadian artist Gregory Colbert is the creator of Ashes and Snow, a traveling exhibition of photographic artworks and films. Colbert announced the concept for the Animal Copyright Foundation in 2006. www.animalcopyright.org www.ashesandsnow.com

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Video of performance by Snappy Dance Theater as part of the benefit performance of Eve Ensler's, The Vagina Monologues (Boston, MA, 2004). Choreographed by Snappy Dance Theater members: Cathy Bosch, Lucy Bunning, Eveline Carle and Martha Mason. Performed by Kerri Hudson, Carey McKinley and Carrie S. Music by Michael Rodach. Video by Darren Beaudet

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In which Hank films mostly in Indianapolis, but uploads from Pittsburgh.

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Copyright feat. Imaani - Wizeman (Peaktime Vocalmix)

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la perfezione esiste...la sbarra è danza eccome...splendida leticia! (copyright Falsini)

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A simple, for everyone, demonstration of the first step in the Art of Bondage.

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