Que Sera Sera (Whatever Will Be Will Be)
(J. Livington, r. Evans)
1950's hit sung by Doris Day
--BIOGRAPHY--
(Taken from Wikipedia.)
Doris Mary Ann von Kappelhoff (born April 3, 1924)is an American singer, actress, and animal welfare advocate known as Doris Day. A vivacious blonde with a wholesome image, Day was one of the most prolific actresses of the 1950s and 1960s. Able to sing, dance, and play comedy and dramatic roles, she became one of the biggest box-office stars in Hollywood. She has almost 40 films to her credit and has recorded approximately 45 albums.
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In Alfred Hitchcock's The Man Who Knew Too Much, she sang "Whatever Will Be, Will Be (Que Sera, Sera)", which won an Academy Award for Best Original Song. According to Jay Livingston (who wrote the song with Ray Evans), Day preferred another song used briefly in the film, "We'll Love Again", and skipped the recording for Que Sera, Sera. When the studio pushed her, she relented, but after recording the number in one take, she reportedly told a friend of Livingston's, "That's the last time you'll ever hear that song." The song was used again in her 1960 film, Please Don't Eat the Daisies and was reprised as a brief duet with Arthur Godfrey in The Glass Bottom Boat; it also became the theme song for her television show. This was her only film for Hitchcock and, as she admitted in her memoirs, she was initially concerned at his lack of direction. She finally asked if anything was wrong and Hitchcock said everything was fine; if she wasn't doing what he wanted he would have said something.
After the critical and popular success of Teacher's Pet, Day's popularity at the box office seemed to wane and some critical attention focused on perceived elements of "blandness" in her on-screen persona, although in some foreign markets (Germany, Britain and the Commonwealth), she remained a top box office draw. A dynamic performance in The Pajama Game received warm critical notices, but box office returns were disappointing. In the case of The Tunnel of Love and It Happened to Jane, both the critical and popular response was uneven. As a result, during the period 1957 to 1959, she was no longer regarded a "Top Ten Box Office Draw" by U.S. film exhibitors. This development may have been linked to a marked decline in popularity of musical films during the late 1950s, as well as to some poor choices in material made by Melcher on his wife's behalf. In addition, Day's popularity as a recording artist was diminished due to the growing popular taste for rock and roll. "Que Sera, Sera," for instance, was never a No. 1 hit, being kept from the top by Elvis Presley's recording of "Hound Dog."
Tags: Doris Day Qué Que Sera Será Whatever Will Be
